Realism vs romanticism in arms and

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Realism vs romanticism in arms and

Forty-nine of us, forty-eight men and one woman, lay on the green waiting for the spike to open.

George Orwell

We were too tired to talk much. We just sprawled about exhaustedly, with home-made cigarettes sticking out of our scrubby faces. Overhead the chestnut branches were covered with blossom, and beyond that great woolly clouds floated almost motionless in a clear sky.

Littered on the grass, we seemed dingy, urban riff-raff. We defiled the scene, like sardine-tins and paper bags on the seashore. What talk there was ran on the Tramp Major of this spike.

He was a devil, everyone agreed, a tartar, a tyrant, a bawling, blasphemous, uncharitable dog. You couldn't call your soul your own when he was about, and many a tramp had he kicked out in the middle of the night for giving a back answer.

When You, came to be searched, he fair held you upside down and shook you. If you were caught with tobacco there was bell to.

Pay, and if you went in with money which is against the law God help you. I had eightpence on me.

Characteristics

You'd get seven days for going into the spike with eightpence! Then we set about smuggling our matches and tobacco, for it is forbidden to take these into nearly all spikes, and one is supposed to surrender them at the gate.

We hid them in our socks, except for the twenty or so per cent who had no socks, and had to carry the tobacco in their boots, even under their very toes.

We stuffed our ankles with contraband until anyone seeing us might have imagined an outbreak of elephantiasis. But is an unwritten law that even the sternest Tramp Majors do not search below the knee, and in the end only one man was caught.

This was Scotty, a little hairy tramp with a bastard accent sired by cockney out of Glasgow. His tin of cigarette ends fell out of his sock at the wrong moment, and was impounded. At six, the gates swung open and we shuffled in. An official at the gate entered our names and other particulars in the register and took our bundles away from us.

Realism vs romanticism in arms and

The woman was sent off to the workhouse, and we others into the spike. It was a gloomy, chilly, limewashed place, consisting only of a bathroom and dining-room and about a hundred narrow stone cells. The terrible Tramp Major met us at the door and herded us into the bathroom to be stripped and searched.

He was a gruff, soldierly man of forty, who gave the tramps no more ceremony than sheep at the dipping-pond, shoving them this way and that and shouting oaths in their faces. But when he came to myself, he looked hard at me, and said: He gave me another long look.

It was a disgusting sight, that bathroom.In art and literature, realism expresses a message that depicts situations realistically, whereas romanticism illustrates messages by using fiction.

Romanticism focuses on plot, hyperbole, metaphor and feeling. In contrast, realism focuses on characters, details, objectivity and separation of author. ARTS MUSIC AND ARTS AS CRAFT (3) Examines the creative connections among individual imagination, artistic creation, audience reception and financial considerations, looking at the creative processes of artists such as Michelangelo, Mozart and Jackson Pollock as examples of the complex, often laborious and always evolving efforts that result in great works of art.

realism vs romanticism in Arms and Man Romantic Idealism Versus Realism in Shaw's "Arms and the Man Romantic Idealism Versus Realism in Shaw's "Arms and the Man" Love and war are two concerns which are often regarded as societal ideals.

George Bernard Shaw’s Arms and the Man is a pleasant and humorous attack on both. LitCharts assigns a color and icon to each theme in Arms and the Man, which you can use to track the themes throughout the work. Below you will find the important quotes in Arms and the Man related to the theme of Romanticism / Idealism vs.

Realism. On the balcony a young lady, intensely conscious. This is shown in Arms and the Man as the overthrowing of romantic idealism leads to realism. Shaw’s anti-romanticism is seen in the reversal of roles with Bluntschli and Sergius.

Raina chooses the professional soldier. Alien is a science fiction horror film directed by Ridley Scott and written by Dan O'torosgazete.com on a story by O'Bannon and Ronald Shusett, it follows the crew of the commercial space tug Nostromo who encounter the eponymous Alien, a deadly and aggressive extraterrestrial set loose on the torosgazete.com film stars Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John.

Clausewitz Bibliography (English)