English US The Lottery by Shirley Jackson is known as one of the most horrible but still realistic short stories about human life, traditions, and interests which are inherent to society.
The premise is that of a science experiment--an academic exercise to test the reality of house-haunting. I love the fact that the opening pages essentially replicate the clinical nature of the premise: A contemporary editor might have said: Then we follow Eleanor, the main character, as she takes the car she shares with her sister and drives to Hill House.
Again, it takes a few pages to get there, but it allows for wonderful scenes where her imagination takes flight or where she interacts, awkwardly, with the townsfolk in the nearest small town.
The interaction in the diner is classic Shirley Jackson--capturing the suspicion and unease and boredom of small town life. Here is this strong presence who threatens to swallow her up, and in a way, when she walks in, a sort of Gothic romance is born. Is there anyone really?
Maybe Eleanor is mad. Dudley, but Eleanor is still not described as seeing anyone else until Theodora introduces herself.
Only the house is tangible in a way. You have Eleanor and her sister, of course, at the beginning of the book, and then the tale of the orphaned sisters who lived in Hill House, and then Eleanor and Theodora themselves, who quickly become like sisters.
All those relationships are marked and marred by jealousy, one that lies just beneath the polite surface of things. Theodora is in the bathroom, taking a bath.
Eleanor is in her room, looking out the window. Then in the very next paragraph, with no transition whatsoever, Theodora is suddenly pounding on the bathroom door telling Eleanor to hurry up.
It takes a moment to realize what has happened--to realize that now Eleanor is in the bath, and Theordora is outside waiting for her. Montague is a wonderful character who bursts onto the scene in all her grand foolishness.
Montague perceives after her session with planchette a Ouija board. How she perceives the other characters, how she watches them and listens to them and to the house itself, how she hurtles toward the end "I am doing this all by myself, now, at last; this is me, I am really really really doing it by myself.
And then that amazing ending, recapitulating the opening, and that final word--"alone"--capturing a sense of the house as a sentient being much like Eleanor herself. A truly remarkable book.Literary Analysis: “The Lottery: by Shirley Jackson Essay Sample To a first time reader, Shirley Jackson’s “The Lottery” seems simply as a curious tale with a shocking ending.
After repetitive reading of Jackson’s tale, it is clear that each sentence is written with a unique purpose often using symbolism.
Shirley Jackson's small collection of short stories here (just three: The Lottery, An Ordinary Day With Peanuts" and "Charle3s") is an excellent book to introduce anyone to Shirley Jackson who- for some reason- has not already heard of her.
Mrs. Sherlock Holmes: The True Story of New York City's Greatest Female Detective and the Missing Girl Case That Captivated a Nation. Whether you love or hate "The Lottery" by Shirley Jackson, there is no doubt that it is a story that demands attention.
By making a close literary analysis of "The Lottery", the reader can better understanding how it is that the author was able to create such reactions to the story is worthwhile. The Course to Better Grades. With a little help from experts, you’ll be on your way up, pronto.
Here’s how it works. Search We scour the world for brainiac educators, many with masters and PhDs in their respective fields from fancy universities across the world. When Shirley Jackson's chilling story "The Lottery" was first published in in the The New Yorker, it generated more letters than any work of fiction the magazine had ever published.
Readers were furious, disgusted, occasionally curious, and almost uniformly bewildered.